crows on the third line.
By Lynaes
I begged the flutter of morning
to break me
like an empty egg shell
between skeleton fingertips.
because the hushed
neon blue air
spiked with songbirds,
gripped my throat
like a rabid snake
hissing lullabies
in a sadistic tone.
it's like a messenger
for those silent flash backs,
enveloped in chiffon jaundice
that strike the heart
like arteries
clogged
with fat.
for the most part,
I am a grave yard statue.
my stone fingers laid out
awkwardly,
awaiting fractures
caused by saltwater.
riddled with rheumatic dreams,
and wavering,
ever so slightly,
in a breeze that my skin tastes
as if it were the heated breath of a lover
right after sex.
I pressed my toes
into the foam of the shoreline
in the vinyl dust of sunset.
among dead fish eggs,
and delicate strings of sunlight
in the cold water;
I created wet footsteps
and sang about crows
on train tracks,
and how scared I was
that they may step
upon the third line.
scorched black feathers
would be too relevant.
and there is an ebony coating
on my heart.
so I pray for the milky sun
to be a sledgehammer
to my chest.
like a canopy in
an opal dust storm
of runaway orchids,
and familiar scents
left on stained pillows.
Awards
Comments on "crows on the third line."
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A former member wrote:
ah, this is nice....
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A former member wrote:
the imagery blends together, the "vinyl dust of sunset"..."milky sun"...i'm just re-reading bits and trying to see how you made this. congrats on potd, well deserved!
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On Sunday, September 23, 2007, Mistress Morbid
(405) wrote:
Your words have always stuck me right through the heart, just like a stray arrow. You never cease to amaze me. I miss reading your works. I must dig through more of your poetry and fall in love all over again.
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A former member wrote:
amazing, i loved it. i was gripped from the first stanza to the last. keep writing x
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On Monday, June 11, 2007, Solace
(1065) wrote:
Fragility exposed and invitations - the symbols all fit themselves in and away we rush - a milky sun? finding myself entangled and diving around in runaway orchids - the ugliness and precious beauty - like lovers entwined...
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A former member wrote:
"I created wet footsteps
and sang about crows
on train tracks..." Simply stunning.
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On Wednesday, May 16, 2007, capt_funguy
(777) wrote:
a lot of poets could learn a lot of things by reading just a few of your works ... you could run a clinic on your brand of beautiful ... lullabies , sunsets and sledgehammers do your bidding in broad daylight ... always impressed ... funguy
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On Friday, May 4, 2007, Bella Butchery
(696) wrote:
everything you write makes me wish you would write something about me... maybe its your metaphors, maybe its your structure, maybe its the percission of your punctuation... i whish i had a girl to write such benevolence, though i know its not about love
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On Friday, May 4, 2007, Bella Butchery
(696) wrote:
you can turn your pen into a pistol and turn it on anything... you + writing = sex-on-a-stick!
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A former member wrote:
"for the most part,
I am a grave yard statue." Wow. Few words literally render me thoughtless in thought. These words especially and everything else as well; just an excellent write. ~Ship!
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On Tuesday, April 24, 2007, carlosjackal
(2787) wrote:
How the fuck am I meant to comment? Just amazing...and I know at some point I will be adding you to my faves ;) You're bloomin' brilliant Platinum Lady :)
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On Sunday, April 22, 2007, DowngradeBeauty
(29) wrote:
The images painted in my head by your words are glamorous. I really enjoyed the last stanza!
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A former member wrote:
Put that last one at the end. +tpu+
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A former member wrote:
electrocution*, awesome. And as I said the ending was quite the icing on the cake. +tpu+
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A former member wrote:
The poem is quite like the second to last stanza, and the ending, the ending. I know it sounds confusing. That's just the way it feels, whether on purpose or accident. Quite an interest detail.
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A former member wrote:
The opening of the 4th stanza threw me off a little and I think it tainted that stanza a bit. The ' for the most part'. But then the line immediately after that stanza strengthened it nicely. The following imagery with the crows and the possibility of ele