Comments by All Members

  • "" Space and time is always another show____no one comes___nothing is changed___lonely heart sleeps as is" From A "beautiful journey" by Loving Grace"
    Posted by Numbers Peppelini on "Medea Sings" by inhisbelly
  • "I am so appreciative of all of your responses. Numbers, I applaud you for your thoughtfulness and thoroughness. Things have been rougher than hell lately, but writing pieces like this helps tremendously. Much love for you all. "
    Posted by inhisbelly on "Mrs. Claus" by inhisbelly
  • "Feeling a need to preface, that my comment isn't about the author , so I would rather keep it in perspective, for if we can't separate one from their work, this powerful message becomes a cry for help and not great poetry. That being said, the writer's ability to send me spiraling into remembrance, toward the tonnage I've felt once within the throes of depression, where lifting a glass to my lips became next to impossible. I felt useless and was sure no one could ever manage to love me, let alone care to be around me. In this write, the subject swirls imagery around her fingers for us to lick them dirty. And so shall I, until the day she rises up in total rebellion to those making her a slave in her own mind. The actions of others should make absolutely no difference to who we are. Perhaps until the subject in this write stands tall in her saddle holding her brilliance as a sword against all ignorance, shall she be merely marred in her cry for help . Bravo to the author of this piece !!!"
    Posted by Numbers Peppelini on "Mrs. Claus" by inhisbelly
  • "Very interesting piece! The imagery in this one is fantastic, and I like feeling of someone trapped in a strange, foreign body they dislike and can not completely come to terms with. I expected a feel good piece based on the title...this was much more interesting and complex. Ciao, T/S"
    Posted by TropicalSnowstorm on "Mrs. Claus" by inhisbelly
  • "interesting how she, presumably, is the one finding another theatre, is not mr claus, again, an assumption, the theatrical one of so many famous entries... does liquor fuel passion, is this from where the hands find the neck, and the legs become iron weighted and over fed, maybe... sticky, but not sweet. I liked the subtlety of this, just enough left unsaid to make it provocative of consideration, thank you, and welcome to the valley. "
    Posted by The Dybbuk on "Mrs. Claus" by inhisbelly
  • "I had to read this poem five times before commenting. One day for each read until I finally realized that it's about a pregnant woman who is in love with a man that does not return her affection in a healthful manner. (Well, my interpretation, anyhow). I am so captivated with your beautiful writing style, Bev! "Cream chiffon pulled taut" is one of my favorites, but the "severe kisses" and "next passing moon" are also especially striking additions. I am so glad that you posted a new work before Christmas! Sooo wonderful & always a pleasure to read. Love to travel to your special fairy land . . . . "
    Posted by Unknown on "Mrs. Claus" by inhisbelly
  • "Your work is always so ethereal . . . I feel like I am transported to a new world every time. "Madea Sings" is a mystically enticing world with such a clever theme of Greek Mythology. Seamless flow . . . I feel as though I am twirling through the ballroom with her, bound to the order of Gods up above. 10/10 Fabelhaft, my dear! My favorite of yours to date."
    Posted by Unknown on "Medea Sings" by inhisbelly
  • "This is a poem that's so brilliant it goes over my head...i like when such a poem is produced. 10 Oh, and i know who Madea is, so that's not what goes over my head."
    Posted by megaprime81 on "Medea Sings" by inhisbelly
  • "Although I too noticed the echo, and enjoyed it in the reading of the work, I didn't find anything frightening or eerie to it, but rather my own interpretation... the universe's reminder that no matter how great we think we are, everything we've done, everything we are, everything we will be is... so tiny and unimportant when compared to the grand scheme of things. Thanks for sharing the link! Nice to have a voice in my head for all of the future reads..."
    Posted by Sketso on "Today's truths (spoken)" by inhisbelly
  • "I had a feeling this would frighten. It was even slightly eerie playing it back to myself after recording. I'm glad you enjoyed my ominous confessions. "
    Posted by inhisbelly on "Today's truths (spoken)" by inhisbelly
  • "I'm scared. This frightened me. Your voice is so lulling and mystical, apparently, even while discussing topics of this foreboding nature. As always, there is just something about your writing that acts as quicksand to my mind. "tumbleweed thorns / flickering nausea" . . . feels a tad like being led deep into the forest for an execution. If a predator feats and the screams go unheard, did anything really transpire at all? Such an ominous, negative connotation for the theme of redemption. Beautiful."
    Posted by Unknown on "Today's truths (spoken)" by inhisbelly
  • "Very talented, I really like the haunting echo sound of it. However, it was easier to just go to soundcloud and enter forestfairybev into the search bar. Thanks for sharing. Nicely done :)~"
    Posted by blue angel on "Today's truths (spoken)" by inhisbelly
  • "damn drugs... Lovely construction with this piece. Though I did break out singing Styx, this was very potent. Well done, you."
    Posted by RubyXero on "Snowblind" by inhisbelly
  • "This is such a leveled work; each stanza plummets the reader further and further down into an lethargic pit of sensory crucification. "My décolletage, consumed / once full of marrow" . . . this is the grand finale of elegance in the breakdown of the poetic heroine's resilient construct. "
    Posted by Unknown on "Snowblind" by inhisbelly
  • "Losing yourself in one another . . . a fabulous theme. I keep trying to figure out what meaning the elemental table has in your work, but it's quite difficult. You're always referencing science in your poems, which comes across like a desire for stability in what is known (physics) and what is subjective (art) . . . this theory is especially prominent in the poem where you compare metal to lilies; you really have a fascinating writing style. "
    Posted by Unknown on "To the Boy at the Bar/Let's Be Broken Together" by inhisbelly
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